Notes by Paul Andinach on 'Supreme: The
Story of the Year'
Building on 'Annotations Supreme' by (Aaron
Severson?)
Issue #41
Page 4:
Panel 1: "I pity the fool" is a
catchphrase of African-American tough-guy actor Mr. T, known for his roles in
the film 'Rocky III' (in which the catchphrase originated) and the TV series
'The A-Team'.
Page 7:
Panel 3: Another African-American actor's
catchphrase: This time comic actor Mantan Moreland, whose schtick in countless
films of the 1930s was the hero's assistant who fled at the first sign of
danger with a cry of "Feets, do your stuff!"
Page 18:
Panel 3: In the background, there's a fat
Supreme with a moustache, carrying a tall lump of rock. His appearance (body
shape, hairstyle, clothing, and rock) echoes that of Obelix, the stalwart
sidekick of the 'Asterix' comics.
Page 21:
Panel 1: I was all set to discourse at
length on the possible significance of Supreme's first girl being named after
the female lead of 'Carousel', and then I realised that the latter is Julie,
not Judy, Jordan. So it's *probably* just coincidence.
Issue #42
Page 11:
Panel 3: The gray outfit with nametag
Darius Dax is wearing is a prison uniform (see also page 15 of issue #47 and
page 6 of issue #52A, for instances of him wearing the same outfit actually in
prison); apparently he was so keen to take over Omega City and/or kill Supreme
that he couldn't take the time to rustle up a change of clothes after his
latest prison break. In the Silver Age Superman comics, Lex Luthor was often
the same way.
Panel 5: Supreme is seen here posing in
front of an American flag, with an American eagle perched on his arm. There's a
famous image of Superman in a similar pose, originally the cover image of
Superman #14 (published in 1942, roughly contemporary with this bit of
flashback).
Issue #43:
Page 3:
Panel 1: "San Diego" is the San
Diego Comic Book Convention, first held in 1970. Now called Comic-Con
International, it's one of the largest and busiest events on the comic book
industry's calendar (and increasingly of allied industries such sci-fi film and
television). Hence Ethan's comment that if Neil Gaiman seemed stressed at San
Diego, it's not necessarily a reliable guide to his usual state of mind.
(By giving Neil Gaiman a separate existence
in this reality, is Moore implicitly absolving him of being one of the
inspirations for Billy Friday?)
Panel 3: Newspaper headline: "JOHN
PROPHET FEARED DEAD". Prophet is another of Rob Liefeld's superhero
characters; I don't know anything much about him, nor whether this headline is
a reference to something specific that was happening in another title at the
same time.
Page 11:
Panel 1: The current annotation has missed
an important fact about Mighty Man: he is a pre-existing Image Comics
character, who debuted in Erik Larsen's flagship series, 'Savage Dragon', in
1992. Most of the subsequently-noted similarities to Captain Marvel already
existed in Larsen's version of the character, and are not metatextual additions
by Moore (which is not to say that Moore didn't take conscious advantage of
them, in the same way that he took advantage of Glory's similarities to Wonder
Woman).
Mighty Man is one of two 'Savage Dragon'
characters to appear in 'Supreme'; the other is SuperPatriot, who we will meet
in the next issue. Unlike Liefeld's characters, who have been replaced by
Moore's versions, the original Mighty Man and SuperPatriot are still active in
the pages of 'Savage Dragon'; the versions in 'Supreme' might be regarded as alternate
universe counterparts. ('Savage Dragon' itself has already featured a number of
alternate-universe counterparts of its main cast; what's a couple more?)
Page 14:
Panel 4: Aladdin's outfit resembles that
worn by Disney's version of the character (from the 1992 animated film).
Disney's version of the story is also one of the few, if not the only, in which
Aladdin possesses a flying carpet.
Page 18:
Panel 3: Talos was a figure in Greek
mythology, a giant man of bronze who protected Crete. (The inscription here
seems to say TALUS, which is the Latin form of the name.)
Jack-a-Dandy's giant monocle may be a
reference to the giant coin that's been an indispensable exhibit in Batman's
trophy room for years; especially since Jack-a-Dandy is Professor Knight's
(which is to say, Batman's) opponent more than he is Supreme's.
Page 19:
Panel 1: The current annotation mentions:
"A large, beetle-browed creature either made of stone or a statue (this
may be the same trophy as the Shmoo-like creature shown earlier; the art is
unclear)." I don't think the art is *that* unclear: it doesn't look
anything like the Shmoo-like creature to me.
Issue #44:
Page 5:
Panel 1: Die Hard is another of Rob
Liefeld's creations; he is a member of the Youngblood team, and debuted in
'Youngblood' in 1992. For SuperPatriot's history, see the note for issue #43
page 11. Both characters started their careers in the 1940s, hence their
absence from the 1938 flashback last issue.
Page 8:
Panel 4: On the wall in the background, the
silhouettes of two children playing ball. After the atomic bomb was dropped on
Hiroshima in 1945, walls had silhouettes permanently burned into them where
objects had shielded them from the full force of the explosion, including at
least one place where the shielding object had been a person; human silhouettes
subsequently became part of the imagery of anti-nuclear protest. The specific
two-children-playing-ball silhouette may have originated in Ray Bradbury's
short story "There Will Come Soft Rains", first published in 1950.
Page 17:
Panel 1: Assuming that his 'Savage Dragon'
history applies wherever it's not explicitly contradicted,
Mighty-Man-as-Mighty-Man is ever unchanging, but his human identity underwent
some dramatic changes between 1949 and 1996, hence his comment that he has
"maybe changed just a little bit". (More on this when we get to page
20.)
Page 18:
Panel 1: The cryptic remark by the angelic
twins in the bottom right corner is a mangling of "potrzebie", a word
frequently used in Mad magazine as a random nonsense word. (It's a real word in
Polish, but don't ask me what it means.)
Page 20:
Panel 3: Again as per 'Savage Dragon',
Mighty Man's human identity during the 1950s was radio broadcaster Robert
Berman. (Everything the current annotation says about him resembling radio
reporter Billy Batson is probably still true, just at one remove.)
In the background is the Wolf Man from the
1941 horror film 'The Wolf Man', labelled "Wolf Man Jack" - Wolfman
Jack was a radio disc jockey who started his career in the early 1960s.
Panel 4: The current annotation says
"The figure at the left edge of the panel bears a striking resemblance to
William Gaines", which may be true, but actually it's Sgt Bilko, Phil
Silvers's character in the 1955-1959 TV series 'The Phil Silvers Show'.
That it's Mighty Man whose manliness is
being thrown into question foreshadows his own personal future: after the death
of radio broadcaster Robert Berman, the power to transform into Mighty Man passes
to another host - and *her* name is Ann Stevens.
Page 22:
Panel 3: The current annotation says:
"Waxy Doyle notes that Roy Roman and Diehard are now part of other teams,
and Mighty Man adds that the Patriot (now a cyborg hero) is as well."
Actually it's (also) Doyle who mentions that the Patriot is part of another
team; Mighty Man's reference to the Patriot is a response to Doyle's comment
that "sometimes people change".
Diehard, as noted above, is a member of
Youngblood. SuperPatriot is a member of the Liberty League in 'Savage Dragon',
but they probably don't exist in Supreme's continuity. Given that Roy Roman's a
new character, there's probably no guessing which team he's part of, unless
it's revealed in a later issue.
Issue #45:
Page 11:
Panel 1: The current annotation says:
"Doc Wells is referred to here as “Doc Erwin.” It is not clear if Wells’ first name is
intended to be Erwin, or whether this is an error that was not corrected prior
to publication." In the collected edition, it's become "Doc
Wells", which would seem to answer that question. (I think it is also
established somewhere in the series that the Doc's full name is Erwin Wells,
but I don't recall exactly where.)
Panel 4: Supreme's exclamation of
"Merciful Mondrian" refers to modern artist Piet Mondrian
(1872–1944). Supreme doesn't actually get turned into a Mondrian pastiche
during this sequence; Mondrian didn't do people, preferring landscapes early in
his career and non-representational geometric shapes later. (Mondrian did do a
famous series of compositions based around red, white and yellow rectangles, so
a Mondrian Supreme might not be entirely out of the question - but he'd have
trouble carrying on his conversation with Doc Wells without a mouth...)
Page 12:
Panel 1: Supreme's transformation here is
based on Salvador Dali's painting "The Face of War".
Page 23:
Panel 5: "Billy Friday - Hero of the
Prism World" echoes the title of 1980s DC Comics series 'Amethyst -
Princess of Gemworld' (a comparison I suspect Billy would not appreciate).
Issue #46:
Page 17:
Panel 4: The current annotation says:
"including images of John Lennon and Paul McCartney" - And two more
heads partly hidden behind Supreme, presumably George Harrison and Ringo Starr.
Issue #47:
Page 4:
Panel 1: The current annotation says:
"Taylor’s last name is spelled inconsistently in the series: here it is
spelled “Kendal,” but in issue #52B it is spelled “Kendall.” In this issue, all
references to "Kendall Manor" have two Ls, and all references to
"Taylor Kendal" have one L. Whether this pattern continues in #52B I
don't know, as I haven't yet found a copy of that issue.
Page 6:
Panel 1: Ethan's exclamation of
"Sacred Paracelsus" presumably refers to the 16th-century Swiss physician
Paracelsus, but I'm not sure why.
Page 9:
Panel 2: In this panel and in this pose,
Jack-a-Dandy bears a striking resemblance to the mascot of The New Yorker
magazine (although that worthy fellow is usually depicted inspecting a
butterfly rather than a set of superweapon blueprints).
Page 12:
Panel 6: The Walrus and the Carpenter are
probably a reference to the Mad Hatter, a similarly Lewis-Carroll-inspired foe
of Batman.
Page 19:
[I count six panels on this page. For some
reason the current annotations treat the first two as a single panel, and the
third and fourth as a single panel, but the last two as separate panels. I see
no justification for this, so I'm going to count them *my* way.]
Panel 2: The bare tree with the floppy
pocket watch draped over it is an image from Salvador Dali's painting "The
Persistence of Memory"; appropriate, since this is Taylor's memoryscape.
Panel 3: Supreme mentions a Police Chief
O'Brien as one of Professor Night's associates. There's also a Chief O'Brien
mentioned during Ethan's trip back to Littlehaven (issue #42, page 13, panel 3)
as one of the Littlehaven residents from the old days who has passed on. I
wonder if he's related?
Panel 6: I would guess that the figure with
the tusks and the figure with the saw are the Walrus and the Carpenter,
previously referred to on page 12.
Issue #48:
Page 5:
Panel 5: The list of symbols in the current
annotations misses the logo of the soft drink brand 7-Up (at left, under the
Mtv logo).
Page 6:
Panel 2: Another missed symbol: the face at
the top is pop-artist Andy Warhol.
Page 7:
Panel 1: Dali's melting watch (previously
seen in issue 47, page 19) makes a return.
Panel 2: 'Yellow Submarine' is the animated
film featuring the music of the Beatles. The oceans through which the titular
submarine travelled - which included the Sea of Time, the Sea of Science, the
Sea of Nothing, and the Sea of Holes - were indeed quite surreal.
Panel 4: The current annotations note that
Wonder Woman acted as the secretary for the Justice Society. What is perhaps
more relevant, since the group of heroes featured in this issue is equivalent
to the Justice League, she served the same role for the Justice League in their
early adventures. (And it had nothing to do with her being the only female
member, I'm sure.)
Page 17:
Panel 4: "Allied Super-Animals of
America" is a reference to the Just'a Lotta Animals, a funny-animals
version of the Justice League of America created by Roy Thomas and Scott Shaw
and featuring such characters as Super-Squirrel, Batmouse, Wonder Wabbit, and
the Martian Anteater. They appeared within the funny-animal superhero series
'Captain Carrot and His Amazing Zoo Crew', first as characters in the comics
read by the people of Captain Carrot's world; later (perhaps inevitably) a
story in the style of the JSA/JLA team-ups revealed that they really existed in
an alternate dimension, and they joined forces with the Zoo Crew to defeat a
team-up of their respective villains.
Page 21:
Panel 2: The prisoner on the right,
described as "not identified" in the current annotation [for page 20,
panel 1, for some reason], is Jim Stormbird, who we get a better look at in the
following issue.
(Incidentally, the colourist seems to have
become confused in this panel, as Diehard's mask has temporarily changed to the
same colour scheme as SuperPatriot's.)
Issue #49:
Page 9:
Panel 2: Judy Jordan learning kung fu and
becoming involved in women's rights may be a reference to Wonder Woman's activities
during the early 1970s, when she lost her superpowers and costume, learned
martial arts, and became involved in contemporary concerns, culminating in an
issue with the banner "SPECIAL! WOMEN'S LIB ISSUE" - which turned out
to be the last issue of the new approach before they started putting everything
back the way she had been. About the same time, the old-style Wonder Woman was
featured on the cover of the first issue of Gloria Steinem's Ms magazine, with
an accompanying article about what a strong female role model she was.
Page 21:
Panel 1: The wedding of Doc Rocket and
Alley Cat, attended by many superheroes, brings to mind the wedding of Mr
Fantastic and Invisible Woman in Marvel Comics - even before one notices that
the groom in each case was Dr R Richards.
Page 22:
Panel 3: The current annotation says:
"As revealed in Judgment Day #2, a strange fluke of evolution allows
dinosaurs and other prehistoric creatures to survive on Conqueror Island, which
was discovered in the early part of the 20th century by Professor Conqueror,
grandfather of Conqueror leader Daniel “Blacky” Conqueror." This is a neat
double-ended reference: As the Conquerors of the Uncanny are to the Challengers
of the Unknown, so Professor Conqueror is to Professor Challenger, the star of
Arthur Conan Doyle's novel 'The Lost World' (the titular Lost World, of course,
being a remote plateau populated by surviving prehistoric creatures and
discovered in the early part of the 20th century by the Professor).
Page 23:
Panel 3: Perhaps off-topic, but I feel
moved to comment on how far off-model Suprema is on these two pages: older (or
at least taller and thinner) than usual, and wearing an uncharacteristically
bad-tempered expression - not to mention a skirt that displays far more of her
upper thigh than the one she usually wears.
Issue #50:
Page 12:
Panel 6: The current annotation says:
"Officiating the ceremony is the jackal-headed Annubis, an Egyptian deity
who oversaw the judgment of dead souls." It looks to me more like another
Egyptian deity, ibis-headed Thoth. Thoth was associated with science,
philosophy, and religion, and credited with the invention of written language.
Page 19:
Panel 4: "The Light and Void
Cafe", appearing in this battle-of-the-sexes tale, may be a reference to
Dave Sim's theory of the "male light" and the "female
void". (It would probably help this annotation to include some explanation
of what Sim's theory actually is, but I am pleased to be able to say that I
personally have no idea what he's on about.)
Issue #52A:
Page 11:
Panel 3: The man in black is Jim Stormcrow,
last seen in issue 49. The man next to him in brown might be Blake Baron,
likewise.
Collected edition - Supreme: The Story of
the Year:
Not an annotation, but a request for one.
The collected edition is decorated by sketches (and on the cover a painting) by
Alex Ross of some person who looks almost, but not quite, entirely *un*like
Supreme. It's been bugging me ever since I first encountered the book, years ago
- anybody reading this know what's up with that?